This is a smart action-packed sci-fi with a whole lot of mystery to keep you coming back for more.Despite initial competition from the Henschel Hs 123, the Reichsluftfahrtministerium (RLM, the German aviation ministry) turned to the designs of Herman Pohlmann of Junkers and co-designer of the K 47, Karl Plauth. The action is exciting and the enemy is formidable, both physically and mentally.
You are able to experience the characters’ fear, confusion, mistrust, and loss. Roche Limit: Clandestiny #2 is brilliant Moreci’s writing is a pleasure to read, and the way he combines his dialogue with Kyle Charles’ artwork excellently builds tension, leading to horrifying or thrilling mini-climaxes. Instead, he dives into a tense action sequence. However, he doesn’t let us mull the question for very long. It is excellently crafted to really get us as readers to question our own purposes. The dialogue he uses also challenges this idea. He offers a unique perspective from Sasha’s viewpoint, specifically focusing on progress and an inherent nature to “forge ahead” in order to make sense of the “mystery and inconsistencies” of our lives. Moreci begins to explore the purpose of humanity. However, Danny remains a mysterious and dangerous character. The introduction of the android, Hello Danny, fuels the majority of this dysfunction, creating a lack of trust, but he does provide hints as to what the crew is currently facing on Dispater. Outside of these standout sequences, Moreci continues to build an excellent dysfunctional team dynamic. He slowly adds more light and at a brighter intensity for each panel as the door gradually opens. Moreci adds to this by using a seemingly harmless lullaby but, combined with Charles’ four panels, it takes on a whole other level of creepiness. It builds a ton of tension as you imagine all sorts of horror behind the door. Charles draws out the opening of a door for an entire page using four horizontal panels. Moreci, Charles, and Battaglia combine to create a super creepy scenario that appears to be a vision of Kim’s past. It stampedes over one of the crew members, Kim, who is knocked unconscious. The psychological thriller arrives when the other half of the crew runs across a raging wild boar. However, the light that is shown almost glimmers on the page. It appears as if the light is being consumed by the darkness. The transition from bright light to pitch black isn’t subtle but abrupt. He expertly captures the light from the flashlights peering into the pitch black. He depicts the shadowy creature looming above one of the crew members, Lee, just waiting for the opportune moment to strike.Ĭharles’ ability to capture the fear and horror of the scene would not be complete without Matt Battaglia’s colors. He follows this panel up with one that gives the characters a reason to be afraid. You can feel the nervousness emanating off of them. In the first, he shows the three members of the crew in a triangle formation with their backs pressed against each other and weapons drawn. Kyle Charles ramps up the tension with some excellent positional panels.
They have only their flashlights to guide them.
Moreci instills the horror by opening this issue with Elbus’ half of the crew navigating their way through a pitch black alleyway. In this issue he further expands on this by putting Roche Limit: Clandestiny #2 firmly into the psychological thriller/horror genre. In the debut issue of Roche Limit: Clandestiny, Moreci gave us a taste of horror.
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